Who is surya in dirty picture

Every single supporting character has done a fabulous job. Navin Gothi, the actor playing Vidya's lucky charm and the director who first kick Vidya out of his set are especially very good. Arya Banerjee makes her presence felt as a new-comer Shakila. Vikas Shrivastav as casting director who sends Vidya out with a 5 rupees bill and Sarang Sathaye as choreographer George who gives Vidya her first song are noticeable in their cameos.

And then comes Naseer Uddin Shah. Who else could have done a better job than NS as the aging malicious actor? He gets into the skin of the character of Surya and does a splendid job of it. Despicable and convincing. And last but not the least is Vidya Balan. What a powerhouse of an actress.

Totally contrasting roles. In one she was a nerdy homegrown nonentity and in the other she is the sex symbol of the industry calling herself Entertainment and boy, how she excels in both the roles. Watch out for her award ceremony speech, her early scenes with Naseer and the climax. Easily the best female lead performance in Filmfare worthy material. The real hero of DP is Milan Luthria. How far has he come from Kachhe Dhaage days?

Complete grip on the screenplay, taking out the best from the actors no matter how small their roles is, creating an 80s atmosphere still looking totally different from Om Shanti Om and Action Replay, this is a director how is in command. The Dirty Picture hardly has a dull moment. It does get a bit slow when it goes to the soft side of Vidya and Emran, however, that too remains an integral part of the storyline.

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Trendy, chic, pocket-friendly: Get the perfect pair of boots this winter. My films' spectacular success or disappointing failures don't affect me: Prithviraj Sukumaran. Amruta Khanvilkar looks drop-dead gorgeous in this green silk saree; See pics. Prachi Singh leaves fans awestruck in her latest airport look: See Photos. He plays the role of a superstar who is almost larger than life. Rajat Arora, the writer and lyricist of The Dirty Picture said Naseer was dressed up as a cowboy in the intro scene with lots of goons and horses in the background to recreate the drama.

The actors agree saying that Naseer is the 'supercoolest' part of the movie. Naseer although carries the most outrageous look in the movie, the team says he managed to look great. However, the music makers say "it is much more than 'nach-gana ', it actually connects you to the movie.

Tusshar Kapoor who plays a the role of a budding writer in the movie says that it's his first autobiographical movie, and he is quite hopeful about it. Silk Smitha never had the advantages that her on-screen reincarnation had. It is true that that she was ruthlessly exploited sexually before she established herself, but it is highly unlikely that she would have made the first move. They can match each other for both literal and metaphorical loudness. Need one add that the decible levels were as deafening as they are in the film?

Luthria, like many of his colleagues, believes that every drop of emotion in the story ought to be milked and the best way is to be as loud and melodramatic as possible. Experience has taught him that in the commercial cinema the more over the top you are, the more likely the possibility of success.

Hindi, Telugu, Tamil and now Bengali films reveal an increasing penchant for crudeness. It is generally believed in film industry circles that audiences enjoy crudity because most of their lives, even those of the deprived, are circumspect, to stretch the point a bit, even castrated.

Commercial films in India liberates the audience by pandering to its sexual fantasies. The Dirty Picture does a splendid job in this area. For example, she tells her friend and sort-of mentor, Selva Ganesh Rajat Sharma also known as Kidda Babu, that she will do such an item number that the male audience will find it difficult to keep still in their loosened lungis, thereby suggesting the possibility of a mass erection.

It could have gone out of hand but Vidya Balan says it with the right amount of nonchalance and poise. She is outwitted by people far more cunning than her and at ease in the murky world of show business.

She is there because she literally has no alternative, being a poor, and at best, a barely literate woman. Those responsible for her meteoric rise in the film world see her as an object of sexual gratification rather than a woman of talent. Too little is known about the life of the real SilkSmitha except for salacious gossip, whose veracity is at best dodgy.

There is another affecting parallel. One wonders how Silk Smitha would have reacted in a similar situation. Is the director, in connivance with his script-writer, having us on?