Where can i buy yves klein blue paint




















Nevertheless the color—known as International Klein Blue—became iconic, adopted and replicated by designers and artists including another Yves: Saint Laurent, who painted his Moroccan home and gardens in homage to the color , in hotels, even on appliances.

Search for:. Above: Yves Klein Blue in a small dose in an otherwise neutral apartment. Above: The proprietary hue has been adapted for every type of product, refrigerators included. Casey Matthews. Ultramarine horizon. Julia Kuzina. Alas para volar cejas de Frida. Fabiola Quezada. Paintings, 36 W x 36 H x 2 D in. Stephen Wilson. Levitation Ultramarine. Jacob von Sternberg. A Kid. Bengisu Bayrak. Bored into the void.

Paintings, 8. Mihai Cotiga. Aleksandra Toborowicz. Imre Badonski. Blue and Yellow. Tanja Selten. Nostalgic, Paulina Jelen. Blue Abstract. Homage to Yves Klein. Leon Grossmann. Neon roses. High Saturate Blue by Langridge is dreamy, powerful colour can be used in limitless ways, from standard acrylic painting, wall coating, to application on sculptures like the one shown. Or, if you are daring, by making body performance paintings like Yves Klein himself! For best results, apply two coats to sealed surfaces and leave to dry.

Full film coalescence occurs in 72 hours under normal conditions. Shopping Cart Cart: 0. Login Register. In doing so, he rejected the figurative line, the practice of representation and the paint as material, privileging instead a transcendental colour with the power to release the 'total freedom of mind and body' Y. For the exhibition, the artist assembled eleven equally sized, monochrome blue canvases supported on poles, floating a short distance away from the wall.

In spite of their similar dimensions and richly covered surfaces, Klein proceeded to price each work differently. As he later rationalised 'each blue world presented a completely different essence and atmosphere with a pictorial quality perceptible by something other than the material and physical appearance' Y. Klein quoted in N. Berggruen ed. In this way, Untitled Blue Monochrome IKB carried out at the height of Klein's blue period should be understood as a proposition for a unique moment, qualitatively different from all others, demanding its own 'intense and fundamental minute of truth' Y.

For his exhibition at the Galleria Apollinaire, Klein approached Pierre Restany to act as his interlocutor. It was in this catalogue that the author fully expressed the significance of colour to Klein's work, drawing comparisons with the devotional paintings of Giotto: 'blue dominates, reigns, lives. It is the Blue-King of the most definitive of surmounted frontiers, the Blue of the frescoes of Assisi.

This full void, this nothing which encloses Everything Possible, this supernatural asthenic silence of colour which finally, beyond anecdote and formal pretext, makes the formal grandeur of a Giotto' P.



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